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Sanctus Dominus Deus Sabaoth

by XPUS

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REVIEWS

Metal Centre

The album starts the very interesting intro: amateur recorded of choral singings of the faithful of both sexes during the mass in some Italian church, interrupted by inclusions of aggressive metal – this Horned Devil demands for their rights ?
The Music of X PUS defines the term black-death, but the beginning of the disc includes a majority of style death. In the tracks 2 and 3 we hear the grinding guitars, the drummer that has a lot of inventive and original solutions rhythmic. In the “Desecration of …” was used single sounds of beating bell, probably generated from a keyboard. The song ends with the singing, which we already know from the Catholic mass. The track “Die as a Sinner” also was interesting arranged. In next tracks grow influences of black metal, till total domination. The guitars are sharp and heavy in every time. The instruments are low-tuned. There is the atmosphere of darkness. In next further tracks was used insertions of Catholic singings as well as the sounds of a bell. The brutal fragments often interspersed with slower motifs and there are moments when the band is quiet, and the one musician only play, a guitarist or a drummer. This introduces variety.
Unfortunately after that the storm from album gets more and more steady, that it is a bit boring. The band can not interestingly create all the songs. Perhaps such was the plan: the growing and surging aggression. For me, the second part of the album is too monotonous. The album ends with outro, the pious songs similar to the intro.
In summary, this is not a bad proposal. This is a good brutal metal, although it could be better. If you like extreme death-black then you can boldly reach for this title.

7.5/10
Musashi

SCUMFEAST

If this Italian trio was aiming for a blackened death metal sound similar to some of South America’s most notorious satanic hate groups well they nailed it. Since I’m a fan of many diabolical sounding bands from down there this isn’t so impressive. It’s been done many times before and not only from South America but also in Finland with BEHERIT and Canada with BLASPHEMY. Now that’s not to say I don’t like it or it’s sub-par. On the contrary this is one helluva, pun intended, release.
XPUS must have signed a deal with satan in order to create this bestial full length. Yeah it has all the marks of their forebearers, or the beast. The production is slightly a step up from raw. The guitar sound comes off sounding like some manical power tool. Vocals are cavernous in nature which is mandatory for this style. It’s the sound of the beast. The songs are more in the thrash vein than slow death. And of course the song topics; “Die as a Sinner”, “The Great Worm of the Third Circle”, along with “Desecration of the Image of God” leave no doubt that these guys do not moonlight as Sunday school teachers.

5/5
MR. WOLF

Rock Hard #32

Kto by cakal, ze aj V Taliansku sa môze zrodif horda ciernych dusi, ktorâ este к tomu holduje black metalu, myslfm tomu bez vselijakych
ozdôb…surovému, ciernemu kusu kovu. 10 rü- hajücich sa skladieb vas zavedie do tohto sveta aspon na necelych 39 mintit. Nâjde sa tu aj men- sie ovplyvnenie death a doom metalom, ale je to len nepatrnâ cast. Podarené su zvukové strihy z cirkevnÿch omsi, ktoré po chvi’li nahradi nâklep XPUS. Celâ hudba sa nesie v znamenf old school, ci su to blackové alebo death metalové casti. Zvuk je poriadne chory a hnecT prvé tony vâm navodia tu sprâvnu atmosféru, со je to hlavné. Podra mna nie je to urcite nie nové, aie ta atmos- féra, ktorâ sa nesie celÿm albumom, ma nieco do seba. Ak nechcete oprasovaf svoje staré CD, MC a pustit si nieco medzi black a death metalom 90-tich rokoeh, tak myslun, ze XPUS je to pravé a potesf kazdého old school fanusika.

4/5
PAVEL MADOLA

 

Legacy #101

„Old school metal für old school people“ verkünden X PUS auf ihrer Facebook-Seite und lassen ihren Worten mit dem Albumdebüt „Sanctus Dominus Deus Sabaoth“ auch Taten folgen. Wobei man die Stileinordnung lieber noch ein wenig präzisieren sollte, bevor noch ein Old School Heavy Metal-Fan aus Versehen reinhört und vor Schreck aus seiner Leopardenstretch fährt. Denn was X PUS fabrizieren, ist finsterster Death Black Metal, der nach Pech und Schwefel stinkt und leicht beeinflussbare Hörer vermutlich dazu bringt, den Kopf um 180 Grad zu drehen und einen Schwall Erbsensuppe auf Muttis gute Tapete zu reihern. Zum Albumanfang singen verführerische, zuckersüße Engelschöre, die dann nach Störgeräuschen von dem Angriff aus der Rumpelkammer plattgemacht werden. Hier ist alles maximal tief gestimmt, das gilt auch für den kellertiefen Growlgesang, geschwindigkeitstechnisch bevorzugen die Italiener die schleppende Groove-Walze, nehmen aber auch des Öfteren gehörig Fahrt auf. Besonders gut gefallen X PUS, wenn sie diesen musikalischen Teerklumpen mit unerwarteten Elementen auflockern, sei es besagter Engelsgesang oder die Kirchenglocken in ‘The Cherub’s Throne’, dann wirkt die grundsätzliche Gangart nämlich gleich noch eine Ecke räudiger und bösartiger. Ein wenig Gemecker darf auch sein – Old- School-Produktion hin oder her, ein bisschen kraftvoller hätte das Schlagzeug schon klingen dürfen, zudem ist „Sanctus Dominus Deus Sabaoth“ vor einigen Längen nicht gefeiht, wenn zu lange auf dem selben rohen Schnitzel rumgeklopft wird. Fanatische Anhänger der alten Black Death-Schule sollten sich dieses maximal finstere Teil aber auf jeden Fall mal gönnen.

10 Punkte
DJ

 

Rockcor #3/16

Альбом начинается с церковных песно-пений, которые через некоторое время начи-нают прерываться статикой, спайками и фрагментами основного материала. Помехи нарастают, пока хор не затихает совсем, по-глощённый скрежещущими гитарными за-пилами. Теперь по затоптанным голосам христиан катится вал блэка в смеси с олдо-вым дэтом. Хриплый бурлящий гроул зву-чит настолько колоритно и мощно, что я да-же не знаю, слышал ли за последний год рычание лучше этого. Ему вторят грязные грубые гитары, и каждый рифф оставляет после себя привкус ржавой стружки. Перио-дически музыку бросает в думовые медля-ки: либо что-то мрачное оккультное, либо в жёсткий бесчувственный дум/дэт. Но в ос-новном здесь быстрое злое рубилово. Звуки напоминают разбойничью ватагу, сбившую-ся в бесконтрольную кучу и несущуюся впе-рёд. Современность релиза выдаёт, по сути, только приличное качество записи. Содер-жание же мало напоминает то, что творится на тяжёлой сцене сейчас (говорю без нега-тивного намёка), зато очень похоже на ста-рые команды. Не чем-то конкретным, но общей шероховатостью звука и буйной агрессивной энергетикой. Чтобы сочинять такое сейчас, определённо нужно быть отпе-тым типом.
miamortu малой длительности может расцени-ваться в качестве полноформатной работы, семь композиций которой, словно семь гра-ней единой пирамиды, представляют раз-ные аспекты творчества Atra Hora образца 2014 года и кавказского dark metal в целом.

5/5
Алексей “Astarte Eel” Иринеев

 

Scream Magazine #203

Sakral korsang inn-leder, pervertert av gitarer og ulyder i okende grad, for til slutt voldelig og mork death metal ovortar i den forste ordinjere lata. Gitarlyden er ra, vokalen grom som fy og produksjonen er gjennomfort skitten. Rytmisk er latene massive, men hyppige brekk slipper litt luft gjennom den noksa monotone lydveggen. Xpus gjor seg ikke bort pa denne debuten, men man kommer definitivt ikke heit hjem heller. Materialet er ferst og fremst altfor ensartet. Man spiller konsekvent pa de samme strengene. Dermed tar det ikke lang tid for skiva blir drep-ende kjedelig. Dettilsiktede krydregitararbeidet klarer heller ikke a fange oppmerksomheten til-strekkelig godt. Skiva er kun for undergrunns-fanatikere som sikler bare sjangeren nevnes.

Steinar Selsto

 

CREMATION #8

Najviac bolí zrada z vlastných radov. Toto si zrejme povedala aj táto talianska skupina. Samotné intro, ktoré je vlastne akýsi výňatok zo svätej omše veľa starosti Vatikánu nespraví, ale aspoň poburuje. Navyše čo nasleduje potom by pán najsvätejší na zemy asi len ťažko predýchal (úsmev). Hudobne to už na tak veľký úspech nie je. Tvorba by sa dala zaradit niekde medzi black a death metal. Ale ten zvuk! Priznám sa, že som už počul viacero nahrávok, ktoré boli nahraté v skúšobni a nestratili by sa v porovnaní s touto. Takže finálny produkt vďaka produkcii slabota. Aj prípadné dobré hudobné nápady sú tu pochované do šedi.

Demon

 

ATMOSFEAR #17

Итальянская группа XPUS образовалась в 2015 году, демо выпустила в 2015 году, дебютный альбом выпустила тоже в 2015 году. Быстро, однако. Играют итальянцы блэк / дэз металл, поют про Сатану и прочие прелести соответствующие антихристианской тематике. Оформление выполнено в серо-красно-черных тонах и является классикой стиля. А вот звучат итальянцы нестандартно. В основном из-за сведения. Гитары с голосом выдвинуты на передний план. Это добавило атмосферы, но немного снизило мощь. В принципе и не плохо. Материал хороший. Особенно это раскрывается при повторном прослушивании.

7 / 10
Neophyte

 

Metallian

X Pus is what most people would call a death metal band given a sound that is a cross between the rawness of Incantation and the brutality and simplicity of Grave’s demo days. However, given the band’s blasphemous attitude towards the church of jesus chritus the jebus of all fantasies the Italians are more correctly a black metal act. The catch is for that statement to be true, jesus and his adventures must have existed in the first place, which they did not (my very false sympathies to you, every retarded trailer trash who lives in Oklahoma and fucks his sister under the shadow of the crucifix, enlists in the US serial loser army despite having carried a gun in his shorts since birth).
The two former Unholy Land members and cohort are not lacking in brutality, distortion and intent. The dual-vocals are deep and quite heavy. Moreover, the album has one of the better intros in recent past in which the jingle bell sounds of a jebusian cult ritual is both undercut and cut through by the band. The theme is extended past the intro into the first proper track, Desecration Of The Image Of God. The title is quite appropriate because the anti-idolatry of the band’s intro reminded this writer of Pussy Riot’s brave and liberating act in Russia. Where the band falls short and is losing points is the simplistic nature of the musicianship. It is not a demand or insistence on the superiority of technical music. It is simply a case of a number of songs that are ultimately too simple. The meager guitar leads are representative as is the untight drumming.
Should X Pus pick up the mastery of its instruments without losing its ferocity future rating would reflect the improvement. In the meanwhile, the disc itself is adorned with attractive art on its etched and music side.

60/100
Ali “The Metallian”

 

Battle Helm

With an album title like that this can’t be anything but satanic death metal or black metal. I will be greatly disappointed if this turns out to be something completely different. Because right now I could do with a cool Deicide blast or why not a Morbid Angel or an early Bathory. And this is more in the Bathory school of very basic and to the point black metal. You will not get anything symphonic or grandeur from this band. This is down’n’dirty black metal that makes me think “… The Return” more than anything else, but turned up like a thousand notchs. This is brutal and basic and bloody nasty but sooooo fucking cool.

3,8/5
Anders Ekdahl

 

Slowly We Rot Magazine # 9

By foundation date (sometime in 2015) you’d say X Pus are a young band, but actually the trio continues what was left from the ashes of Soulphureus (2009-2015), band that in its turn continues on the ashes of Unholy Land (1998-2009), so basically one could also say this band was founded in 1998 and released 3 full-length album before raching this new point in their career. I’m not familiar with the first 2 band’s music, but from what I can guess their music became meaner and meaner in time reaching a point where this “new” album could be referred to as raw, brutal and offensive Black Death Metal. Although their image indicate a S&M related lyrics topic the band actually deals with profound and rabid anti-christianity and ferocious Satanism, so from this point of view the music accompanies well the lyrical aspect, they blend well and offer a complete image. The music sounds organic and I’d say has a good production with my only complaint that the vocals are mixed a bit too in front of the instruments. As said earlier we’re treated with some brutal, low tuned, mid-tempo to fast paced Black Death Metal (with emphasis on Black Metal when it comes to the instruments, and on Death Metal when we talk about vocals) with a tempest of guitar riffs and organic drums, but except for the extreme brutality, it brings nothing new to the table, nothing to be able to pinpoint the band on in the future. Anyway, if you’re into extreme Black Death give this a listen, you might like it.

6.5/10
Adrian

 

Heavy Metal Pages

Zespół ten powstał jako projekt basisty i wokalisty Arena, lecz zwerbowawszy gitarzystę Mornaka i perkusistę L, X Pus już jako trio szybciutko zadebiutowali długogrającym materiałem „Sanctus Dominus Deus Sabaoth“. Tempo powstania tej płyty przestaje dziwić gdy pozna się biografie tworzących grupę muzyków, bo do debiutantów nie należą. Potwierdza to również rzeczona płyta, wypełniona surowym, obskurnym i bezkompromisowym death/black metalem. Zwykle skrajnie uproszczonym („Die As A Sinner“) emanującym demonicznym klimatem i duszną aurą („LHP“) czy bezlitośnie atakujacym narządy słuchu ekstemalną młócką na najwyższych obrotach i grobowym growlingiem („Wirlwind Of Fire“), ale mającym też znacznie więcej do zaoferowania. Już „Intro“ zaciekawia organowymi partiami i demonicznym chórem, następujący zaraz po nim„ Desecration Of The Image Of God“ to nie tylko blasty i death metal, ale też patetyczne zwolnienie ma modłę death/doom czy nawet Black Sabbath, pojawiają się też uderzenia w dzwon i organowo-chóralna koda. Dzwon rozbrzmiewa też jeszcze w blastowo-transowym „The Cherub’s Throne“, a chóralne śpiewy w „Eternal Flame“ i króciutkim „Outro“. Konkret, więc nie może być inaczej.

5/6
Wojciech Chamryk

 

Empire Of Death

Siamo ormai alla fine del 2015, annus prodigus oltre ogni aspettativa per il black/death piщ maligno e blasfemo e per non farci mancare niente ecco che da Bergamo (attivissima in questo senso, ricordiamo anche i Mefitic) esordiscono X Pus, nero terzetto autore di questo “S.D.D.S.”, lavoro che tra profanazioni, dissacrazioni, canti religiosi squarciati da minacciosi avventi e sinistri fragori prova a dare un indirizzo diverso dal “solito” bestial/barbaric; intanto strutture leggermente diverse dal solito “massacroveloce/massacromediolento”, poi una solida base death metal, in genere piщ o meno accennata in altri celebrati dischi e invece sostanziosa e apprezzabile qui anche se la produzione – ed il suond quindi – sono chiaramente schierati.
A pareggiare i conti una decisa vena compositiva che tradisce radici death e riff che provano a limitare in qualche modo la componente piщ sacrilega e piщ oscura, evidente soprattutto nei blast beats, un bel muro nero e sferragliante ma ancora una volta emerge il fattore “mortale” nel profondo e gutturale ruggito di Aren, basso-voce che fa del growl piщ tradizionale una brutale garanzia di intenti, niente urletti gracchianti, solo grugniti gutturali.
Per quel che vale, tematiche e liriche scontate, cannoni puntati contro la religione cristiana, morte e distruzione, tutto molto ben trasposto in una miscela sonora veramente corrosiva e sgretolante, una volta tanto realmente equilibrata, in questo senso giustificatissimo l’uso del termine black/death e se anche soltanto per un attimo questo vi fa pensare a sconti o cali farete bene a ripensarci, alla fine il computo delle legnate e dei lividi vi chiarirа il concetto.

77/100
marcogrunt

 

Zombie Ritual Zine

This is a quite bestial and obscured form of satanic death metal with recurrent doses of black metal atmospheres.
Coming from Lombardy, these guys composed a very decent debut album highly influenced by the most chaotic and powerful side of the genre. I really liked it because the production is more focused in transmit obscured miasmas and cathartic sections, than shiny musical skills. Yep, they recall me a lot South American old entities, but they know how to take advantage of sinister guitar riffs and ultra-aggressive vocal lines. The result sounds brute, rude and holocaustic. Vocalist Luca Arnoldi did an excellent work and he delivers destructive lines through cavernous screams. It seems like he has been part of underground metal scene since a lot of time and everything is tied by good taste in extreme metal music. It’s a solid debut album that deserves your attention if you are into satanic death metal with complex elements and bestial vocals.

Victor Varas

 

Lords Of Metal

XPUS plays a delightfully disgusting bit of death/black metal and bring us their debut with ‘Sanctus Dominus Deus Sabaoth’. First thing I noticed was a small, but nice detail; the backside of the CD has a kind of engravings of demons and sigils where the cd was blank. I have seen this done on vinyl, but never on a CD. Musically, the band shares a sound with bands like Archgoat, Profanatica and older Belphegor. Blasts are broken up by slower parts en the album is adorned with a few strategically placed samples. The music is not complicated, but is played tightly and the grunt is pleasing to my ears. Fine album for those fond of death/black metal.

75/100
Kevin

 

Necromance Magazine #1, 2016

XPUS es una banda italiana de black/death metal que presenta su primer álbum, “Sanctus Dominus Deus Sabaoth” de la mano de Metal Scrap Records.
XPUS está formada por tres miembros: Aren tocando el bajo y haciendo las voces, Mornak como guitarra y “L” en la batería. A pesar de que es una banda con poco recorrido, Aren y Mornak poseen mucha experiencia, ya que durante años tocaron en un proyecto fundado en 1998 llamado UNHOLY LAND. Con una duración de 38 minutos distribuidos entre 10 cortes diferentes, empezamos a degustar “Sanctus Dominus Deus Sabaoth”.
Comenzamos con una intro con motivos religiosos: escuchamos sonidos de campana y cánticos que poco a poco se van a ver interrumpidos creando una atmósfera escalofriante. Sinceramente, es un elemento muy quemado en este género pero consiguen que se nos ponga la piel de gallina casi al final de esta introducción. El disco combina melodías rápidas y tajantes con momentos más lentos que acaban haciéndose un poco pesados. Aren, encargado de la voz, realiza un gutural profundo y brutal muy típico de death metal, que destaca principalmente en “Primordial Evil Essence”. Los riffs son bastante monótonos y la guitarra aporta crudeza al conjunto, luciéndose más en “Desecration of the Image of God” y en “The Great Worm of the Third Circle”. Sin embargo, en ningún momento adquiere un protagonismo destacable. “Die as a Sinner“ y “Wirlwind of Fire” son dos cortes rápidos en el que predomina la fuerza y la técnica de la batería.
Como tema estrella del disco destacaría “Eternal Flame”, con arreglos orquestales y con una atmósfera oscura gracias a la guitarra y a los susurros de Aren. Con “Outro”, el disco finaliza tal y como empieza, con cánticos religiosos.
En resumen, X PUS es una banda que tiene claro lo que quiere hacer pero que necesita trabajar mucho más musicalmente. Es un disco que deja bastante indiferente al oyente y que seguro que no muestra todo lo que son capaces de aportar. Esperamos volver a tener noticias de ellos pronto.

4/10
Maki Pérez Jauregui

 

WISDOM Musicart Zine #23

Sono gli Archgoat italiani… Mi sembra di sentire i primi Hate Eternal…?? …marci, grandi, un incrocio tra Immolation e … e va beh, tanti amici mi hanno dato il loro parere, le loro considerazioni, e ognuno la pensa come vuole (ovviamente a me non sono arrivate opinioni negative, ma sarebbero comunque ben accette anche quelle, anzi, potrebbero aiutare a crescere!!), ma io proprio non so come definire questo insieme di cattiveria, di pesantezza e blasfemia allo stato brado.
I nostri tre “tipacci” arrivano da bergamo. Non essendo di primo pelo, hanno alle spalle vari progetti di tutto rispetto: Unholy Land, Soulphureus…
La mente compositiva (almeno in questo lavoro) spetta al colosso Aren (basso/voce), un vero artista a tutto tondo per quanto riguarda il progetto…testi, musica, logo e quant’altro (che non vi svelo!!) sono opera sua.
Ad appoggiare, migliorare e sostenere la mente malata del sopracitato, interviene Mornak (chitarra), personaggio perfetto per XPUS, tagliente ed esplosivo col proprio strumento, preciso e carico durante i lives… a mio avviso un’accoppiata perfetta, grazie anche agli anni passati insieme con gli altri progetti… bene… e adesso si poteva avere una persona normale dietro le pelli? No, ovviamente!! “L” (Luca Mazzucconi) una macchina da guerra mai vista, e per chi non lo conoscesse, andate a vedere sul suo profilo cosa combina questo drummer…
Per quanto riguarda i pezzi, potrei stare qui delle ore a spiegarvi pezzo per pezzo cosa ne penso di questo “devasto musicale”…
ma preferisco lasciare a voi il giudizio finale… quello che posso dirvi e che a master fatto, si erano gia fatte sentire una mezza dozzina di labels europee, e come un falco l’ucraina Metal Scrap Record/Another Side Records, si e’ buttata sui nostri…
Beh, si e capito che amo alla follia questi “ragazzacci” che meritano tutto il mio rispetto, e vorrei che tutti voi provaste le stesse emozioni che provo io ascoltando “Santctus Dominus Deus Sabaoth”… Concludo senza mettere il voto (un 10 su 10 sarebbe troppo plateale!!) …. l’Italia colpisce ancora!!!!!

Criss

 

Gorger’s Metal

What’s with all the fucking blissful blessedness in the midst of the pre-Christmas stress? No sooner has Diavolo (see seven notches down) served Ave Maria, before Italian X Pus opens with gruesome excerpts from some damn church concert, which they eventually mangle and mutilate with various distortion and shit.
When the music eventually kicks in, it stands in stark contrast.
The two guys Mornak and Aren formed their first band in 1998, and together they created X Pus almost a year ago. The band has grown into a trio with drummer “L”.
“Death smelling black metal” the booklet says. Besides hideous intro and ditto outro, we are left with eight tracks of between 4 and 5 minutes, where the band drones out both doom-laden and frenetic extremity in a quite monotonous manner, without particular individuality, finesse or any other extras.
The sound ain’t the best either. Which is just as fucking well anyway, as it’s really quite flattering in a charming way.
The content of what I tend to call “objective qualities” is rather lukewarm.
However, there are other qualities to Sanctus Dominus….
The band’s steady, atonal, pulverizing, resounding thunder has a hypnotic, sleep-inducing effect. Some variation can be found in the savagery, but all in all one has heard similar bestial brutality too many times for XPUS to leave any lasting impression. Fair enough right there and then, but I’m not going to remember this tomorrow.
Hell, I heard the album once yesterday, and four times a few hours ago, before I listened a bit more to Critical Solution while completing the writings (or rather translation) below, and now I had practically forgotten their expression again.
Tough enough at the moment. Unoriginal and forgettable in the long run.

Gorger

 

Occult Black Metal Zine

XPUS are a band from Italy that plays a raw mixture of black, death and war metal and this is a review of their 2015 album “Sanctus Dominus Deus Sabaoth” which was rleeased by Metal Scrap Records.
Ritualistic bells and gongs start off the album along with some melodic choirs and evil synths a few seconds later and after the intro the music goes into a very fast and raw wart metal direction t hat also uitlizes a great amount of blast beats and bestial death metal growls and the songs also bring in a great mixture of slow, mid paced and fast parts.
Morbid sounding melodies are brought into the music at times while some of the slower riffs add in a touch of 90’s influenced death/doom metal and they also mix in the ritualistic parts in with the heavier side at times and the fast riffs also display a more raw style of black metal along with a few high pitched screams being added into some parts of the songs and all of the tracks avoid any use of guitar solos and leads and focus more on a raw, heavy and blasphemous musical style.
XPUS plays a musical style that takes the darkest and rawest elements of black, war and death metal and mixes them together to create a very heavy, evil and blasphemous sounding recording, the production sounds very dark and raw while the lyrics cover Satanism, Anti Christian, Left hand Path, Occultism, Death and Destruction themes.
In my opinion XPUS are a very great sounding mixture of war, black, and death metal and if you are a fan of those musical genres, you should check out this band. RECOMMENDED TRACKS INCLUDE “Desecration Of The Image Of God” “LHP” and “Primordial Evil Essence”.

8/10
OccultBlackMetal

 

MORE REVIEWS

http://www.metalcentre.pl

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